The quality of a movie is normally synonymous with the quality of direction, writing, maybe even performances… But Editing? Visual effects? Makeup?
Example: Why is it that William Goldenberg had to wait till 2012 to win for editing Argo, rather than being praised for National Treasure in 2004?
The answer: one of those movies was loved by critics.
Categories aren’t judged on the basis of their representation in a movie, but are consciously and subconsciously subjected to bias based on the quality of the movie as a whole.
At the 2014 ceremony, Best Makeup and Hairstyling went to Adruitha Lee and Robin Mathews for Dallas Buyers Club. A great movie, with some wonderful hair and makeup to portray severe illness and degeneration.
But how much of this award was down to the weight loss ofMatthew McConaughey and Jared Leto?
What about the quality of the movie as a whole, did that have anything to do with it? Is it a coincidence that the winner of this category was critically praised, while the two losers were Jackass: Bad Grandpa and The Lone Ranger; critically destroyed?
Now, this isn’t an attack on Dallas Buyers Club. It’s an attack on The Academy.
Stared into the wormhole that is Interstellar and found a lot of plot-holes hiding down there? Or maybe you are just confused that a wormhole is an actual scientific thing and not something in your garden?
Interstellar certainly isn’t an easy ride for the regular movie-goer used to airy blockbusters with no narrative nutrition (Read the review HERE!). It leaves a lot of questions whizzing round your head as the credits whizz up the (IMAX?) screen.
Forget physicists, scientists and your granddad’s theories on the movie’s plausibility. Here are 5 questions all normal people are asking:
5. Why did Matt Damon want to kill Cooper?
Matt Damon took a strange route to getting off his planet. He decided to lie to his visitors for a day or two before taking Cooper to a precipice and cracking his helmet, all so he can take the ship to safety. Nice one Matt, you ended up exploding the ship, yourself, and in the process making sure no one can get home. Thanks.
4. Why did Cooper choose to knock the books in exactly the same way when in the 5th dimension?
Because he’d already done it.
‘But he hadn’t because he did it later on in the story?’
Yes but the younger Cooper had already seen the older Cooper knock the books so it had to happen the same.
No. Please no. My brain is hurting.
3. Why did the tractors move at the beginning of the film?
The books fell off the shelf because Cooper was in a black hole pushing them, but why did the tractors move by themselves? Did Cooper fancy pushing a few tractors from his infinite 5th dimension?
2. The whole watch morse-code thing…
It wouldn’t be a 5-minute job communicating the most complex quantum theory ever devised by mankind via not only morse-code, but morse-code translated from the flicking second-hand of a wrist-watch. Surely old Murph must have stopped herself about 3 months in and questioned her sanity, hunched over an old, dusty clock.
1. How did Cooper fall into a black hole and survive?
Apparently the temperature surrounding a black hole can be hundreds of millions of degrees. But he just did ok?! It’s Matthew McConaughey – who’s gonna argue with him? Not me.
5. A Male lead (name beginning with C), a Female sidekick (A) and a Female relative (M)
In Interstellar the main character is Cooper (Matthew McConaughey) and his sidekick is Amelia (Anne Hathaway). The plot is anchored by Cooper’s desperate relationship with his daughter,Murph (Jessica Chastain).
In Inception the main character is Cobb (Leonardo DiCaprio) and his sidekick is Ariadne (Ellen Page). The plot is anchored by Cobb’s splintered relationship with his dead wife Mal (Marion Cotillard).
In Interstellar, Cooper and Amelia visit a planet so close to a black hole that time is contracted, meaning every few minutes they spend on the planet there are decades simultaneously passing on earth. Upon re-entry to the orbiting shuttle, they meet their now-elderly crew member who had been waiting for their return for 27 years.
In Inception our protagonists have the freedom of time as they burrow deeper into lower levels of dreaming. The lowest level – ‘limbo’ – allows you to spend lifetimes down there while only a minute passes here in reality.
3. Strange kinda-Earth-like worlds
In Interstellar, Cooper wakes up to find himself on Earth. But is it Earth? There’s green grass, a baseball game… Oh wait. The land is twisting upon itself like a goddam curl of hair.
In Inception, Cobb shows Ariadne the world he built with his wife in ‘limbo’. There are buildings, there is ocean, he has a home – but it all seems a little bit different. More DEPRESSING.
2. Protagonist sprung from purgatory when escape seemed impossible
In Interstellar, Cooper is literally trapped in a black hole. There seems absolutely no way out, not even by fiddling with a little watch across space and time. Has Nolan written himself into a corner (or an infinite 5th dimension)? No. Cooper wakes up minutes later in a hospital bed, absolutely fine. Problem solved.
Was Inception‘s ending a dream? How on earth did Cobb escape ‘limbo’ and find himself awake back on the plane in reality? His chances seemed extremely slim only a few minutes ago…
The climax of Interstellar involves Cooper finally setting eyes on his now elderly beloved daughter Murph just one more time. She forgives her Dad for leaving her as a child, giving Cooper the strength to set out and find Amelia. He leaves the room before she passes away…
The climax of Inception builds to a tender scene by a hospital bed of Fischer’s (Cillian Murphy) dying Dad, where Fischer manages to find peace and strength from his old man’s words right before he passes away…